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<channel>
	<title>Noémie Pilo</title>
	<link>https://noemiepilo.fr</link>
	<description>Noémie Pilo</description>
	<pubDate>Tue, 25 Aug 2026 15:00:05 +0000</pubDate>
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		<title>Split bog</title>
				
		<link>https://noemiepilo.fr/Split-bog</link>

		<pubDate>Tue, 25 Aug 2026 14:41:28 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

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&#60;img width="2863" height="4294" width_o="2863" height_o="4294" data-src="https://freight.cargo.site/t/original/i/591a56254ee40139af9efeb07ca3735aa1993f7db4d6bbdd1adfeeb82bbb69d3/IMG_5068ret.jpg" data-mid="251564159" border="0"  src="https://freight.cargo.site/w/1000/i/591a56254ee40139af9efeb07ca3735aa1993f7db4d6bbdd1adfeeb82bbb69d3/IMG_5068ret.jpg" /&#62;
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	Split bog, 2026
pierre, papier chiffon, 10x10x6cm-Split bog, 2026stone, paper, 10
x10x6cm.




	

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		<title>Trypa</title>
				
		<link>https://noemiepilo.fr/Trypa</link>

		<pubDate>Tue, 25 Aug 2026 14:49:19 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

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&#60;img width="2391" height="3587" width_o="2391" height_o="3587" data-src="https://freight.cargo.site/t/original/i/032b4a4e23f589904d28138697019746bc64ef37a41abb16619530282920b81a/IMG_5071ret.jpg" data-mid="251564290" border="0"  src="https://freight.cargo.site/w/1000/i/032b4a4e23f589904d28138697019746bc64ef37a41abb16619530282920b81a/IMG_5071ret.jpg" /&#62;

	Trypa, 2026corail, nid de guêpe, 9x6x5cm.-Trypa, 2026coral, wasp hive, 9x6x5cm.




	

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	<item>
		<title>Hans</title>
				
		<link>https://noemiepilo.fr/Hans</link>

		<pubDate>Tue, 25 Aug 2026 15:00:05 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

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&#60;img width="2687" height="4031" width_o="2687" height_o="4031" data-src="https://freight.cargo.site/t/original/i/d9ecd6ecad729c553e68701c066a19633fcb80b1fabdf2a8e26210c0247b2032/IMG_7686ret2.jpg" data-mid="251564461" border="0"  src="https://freight.cargo.site/w/1000/i/d9ecd6ecad729c553e68701c066a19633fcb80b1fabdf2a8e26210c0247b2032/IMG_7686ret2.jpg" /&#62;

	Hans, 2026figue séchées, chemise, carton bois, 30x40x23cm.-Sans titre (gottlieb), 2026










dried figs, shirt, wooden cardboard, 30x40x23cm.








	

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		<title>Tumuli Satellites</title>
				
		<link>https://noemiepilo.fr/Tumuli-Satellites</link>

		<pubDate>Fri, 12 Jun 2026 16:29:37 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

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Tumuli satellites, 2026Stage et exposition proposés par le Frac Ile-de-France dans le cadre de son programme Le Syndrome de Bonnard, ou l'impermanence des œuvres.

“Figurines, livres, photos chéries, objets trouvés ou rapportés sont autant d’éléments qui peuvent constituer des collections personnelles et trouver leur place dans nos espaces intimes. 
Ces pratiques personnelles de collectionneur font écho aux missions institutionnelles du Frac pour soutenir, préserver et transmettre les œuvres des artistes vivants qui ont fait de la création leur métier. Ces deux collections se déplacent et nous accompagnent, mais tandis que la première évolue au gré de la vie de son propriétaire, la seconde défie le temps et conserve les œuvres pour les transmettre le plus longtemps possible.&#38;nbsp;
Si deux types de collections se distinguent, des pratiques semblables se rencontrent. Elles sont au cœur du stage et de l’exposition qui en découlait, imaginés avec la complicité de l’artiste Noémie Pilo et la participation des services Jeunesse de la ville de Trappes : regarder des objets et les collecter, créer des ensembles et les organiser, les disposer ou bien les magnifier ou les protéger, les raconter pour assumer un goût propre, assurément singulier. “ 
Rémi Enguehard
Un commissariat de Marie Baloup et Rémi Enguehard.&#38;nbsp;

Avec les œuvres de la collection du Frac Ile-de-France de Romain Bernini, Mathieu Mercier, Bruno Munari, Kate Newby, Jean-Claude Ruggirello et Oscar Santillan.


Et la participation de Hugo Castingo, Elisa Cottonec, Michelle Cottonec, Mélissa Couvin, Yali Diarra, Iness Mbarek et Oussama Zenasni.&#38;nbsp;


-
Tumuli satellites, 2026
Workshop and exhibition organized as part of the Frac Ile-de-France program The Bonnard Syndrome.&#38;nbsp;
Curation by Marie Baloup and Rémi Enguehard.With works from the Frac Ile-de-France collection by Romain Bernini, Mathieu Mercier, Bruno Munari, Kate Newby, Jean-Claude Ruggirello and Oscar Santillan.

And the participation of Hugo Castingo, Elisa Cottonec, Michelle Cottonec, Mélissa Couvin, Yali Diarra, Iness Mbarek and Oussama Zenasni. 


photo : Robin Bourgeois


				
			
		
	



				
			
		
	





	
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		<title>PHILEO x EDC x NP</title>
				
		<link>https://noemiepilo.fr/PHILEO-x-EDC-x-NP</link>

		<pubDate>Fri, 12 Jun 2026 15:45:48 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

		<guid isPermaLink="true">https://noemiepilo.fr/PHILEO-x-EDC-x-NP</guid>

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&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e2f790b70ac0a77eb6ad170e84a2a5c5d48b833c41cceb2989c32b08529c7323/L1050574-2.jpg" data-mid="249401993" border="0"  src="https://freight.cargo.site/w/1000/i/e2f790b70ac0a77eb6ad170e84a2a5c5d48b833c41cceb2989c32b08529c7323/L1050574-2.jpg" /&#62;
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PHILEO x EDC x Noémie Pilo, 2026

La boutique de chaussures parisienne PHILÉO acceuille la marque de vêtements École de Curiosités pour une collaboration autour de la collection Printemps/Été 2026 et présente Cléo, une paire de mules dessinée par Philéo Landowski et Hans Ito. Noémie Pilo imagine une installation dans les espaces de la boutique où dialoguent et s’entremêlent vêtements, chaussures et œuvres d’art.
-
PHILEO x EDC x Noémie Pilo, 2026Shoe brand PHILÉO welcomes the clothing brand École de Curiosités for a special collaboration around the Spring/Summer 2026 collection at his shop in Paris to present Cléo, a black leather mule designed by Philéo Landowski and Hans Ito, alongside an installation by Paris-based artist Noémie Pilo, presenting a dialogue of garments, shoes, and artworks.

photo : Arthur Marcilloux, Noémie Pilo


				
			
		
	



				
			
		
	





	
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		<title>L'Apparition</title>
				
		<link>https://noemiepilo.fr/L-Apparition</link>

		<pubDate>Mon, 09 Aug 2021 15:05:46 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

		<guid isPermaLink="true">https://noemiepilo.fr/L-Apparition</guid>

		<description>
&#60;img width="3603" height="5515" width_o="3603" height_o="5515" data-src="https://freight.cargo.site/t/original/i/6706e71f890c51706f263285c60f4e0901a5c209a7a78544fc64ed3173ac3c8c/IMG_3379low.jpg" data-mid="234792255" border="0"  src="https://freight.cargo.site/w/1000/i/6706e71f890c51706f263285c60f4e0901a5c209a7a78544fc64ed3173ac3c8c/IMG_3379low.jpg" /&#62;
&#60;img width="1184" height="1776" width_o="1184" height_o="1776" data-src="https://freight.cargo.site/t/original/i/7b2c79fe38538760398f33d7faae27032d2812e420a27c20e2cd04264909eee2/Capture-decran-2020-11-02-a-17.21.29ret272ppi.jpg" data-mid="115772680" border="0"  src="https://freight.cargo.site/w/1000/i/7b2c79fe38538760398f33d7faae27032d2812e420a27c20e2cd04264909eee2/Capture-decran-2020-11-02-a-17.21.29ret272ppi.jpg" /&#62;

	L’Apparition, 2017
« La plus profonde des tragédies raciniennes est aussi la plus formelle ; car l’enjeu tragique est ici beaucoup moins le sens de la parole que son apparition, ... » (Sur Racine, Barthes).Dans Phèdre, le «e» permet le maintient de l’alexandrin, et permet donc l’apparition de l’aveu, de l’enjeu tragique. Dans La Disparition le « e » c’est la vérité qui manque, chez Racine c’est par le « e » qu’apparaît la vérité.Phèdre de Racine (124 pages), tipex.-The Apparition, 2017
« The profoundest of Racine’s tragedies is also the most formal ; for the tragic stake here is less the meaning of language than its manifestation ... » (On Racine, Barthes).In Phaedra, the letter «e» is what allows the alexandrine to maintain itself, and thus what allows the appearance of confession, the tragic stake. In Perec’s A Void, the «e» is the missing truth, here, with Racine, truth reappearsPhaedra de Racine (124 pages), tipex.
	

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		<title>Presse papier</title>
				
		<link>https://noemiepilo.fr/Presse-papier</link>

		<pubDate>Tue, 23 Apr 2024 12:41:44 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

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&#60;img width="2001" height="2999" width_o="2001" height_o="2999" data-src="https://freight.cargo.site/t/original/i/b00cee545fd8e277ad56cb3d619a256f5d75c87593a2c7fae591bab46ea88221/Presse-papier--2024--Crous--NoemiePilo-SiouzieAlbiach-26-LOW.jpg" data-mid="210073105" border="0"  src="https://freight.cargo.site/w/1000/i/b00cee545fd8e277ad56cb3d619a256f5d75c87593a2c7fae591bab46ea88221/Presse-papier--2024--Crous--NoemiePilo-SiouzieAlbiach-26-LOW.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/33a96be889182f25d899656b871311f915d4530ffc1ccf78648850cddc16c0d2/IMG_3432low.jpg" data-mid="234792110" border="0"  src="https://freight.cargo.site/w/1000/i/33a96be889182f25d899656b871311f915d4530ffc1ccf78648850cddc16c0d2/IMG_3432low.jpg" /&#62;
&#60;img width="3813" height="5719" width_o="3813" height_o="5719" data-src="https://freight.cargo.site/t/original/i/a3d14ac3f7b69a5f58c4f6ce50e0769347b3275bde1f5bf2950a0ebdf9a662cf/IMG_3381low.jpg" data-mid="234792109" border="0"  src="https://freight.cargo.site/w/1000/i/a3d14ac3f7b69a5f58c4f6ce50e0769347b3275bde1f5bf2950a0ebdf9a662cf/IMG_3381low.jpg" /&#62;


	Presse-papier, 2024
Une pierre presse une pile de livres de poche dénués de couvertures. Le temps se lit dans les strates minérales et les couches de papier.




Livres de poches,&#38;nbsp;pierre,&#38;nbsp;18x11x16 cm.





-

Paper press, 2024













A stone squeezes a stack of paperbacks without covers. Time is revealed in the colors of the stone and the paper layers.















Books, stone, 18x11x16 cm.






photo : Siouzie Albiach




	


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	<item>
		<title>Sans titre (Kyoto)</title>
				
		<link>https://noemiepilo.fr/Sans-titre-Kyoto</link>

		<pubDate>Fri, 20 Jun 2025 12:18:38 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

		<guid isPermaLink="true">https://noemiepilo.fr/Sans-titre-Kyoto</guid>

		<description>
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/8e3be9dd9f683c6a3070051d20e59c510fb325e2bb20caddf9ef4613141b68ca/IMG_3403-RETlow.jpg" data-mid="234792341" border="0"  src="https://freight.cargo.site/w/1000/i/8e3be9dd9f683c6a3070051d20e59c510fb325e2bb20caddf9ef4613141b68ca/IMG_3403-RETlow.jpg" /&#62;
&#60;img width="4024" height="5913" width_o="4024" height_o="5913" data-src="https://freight.cargo.site/t/original/i/3b8bd4ab7f690cfeddfc78fc43aa4a89c8b925c3a013a1dc33acdd7afe9c6b0f/IMG_3487-RETlow.jpg" data-mid="234792342" border="0"  src="https://freight.cargo.site/w/1000/i/3b8bd4ab7f690cfeddfc78fc43aa4a89c8b925c3a013a1dc33acdd7afe9c6b0f/IMG_3487-RETlow.jpg" /&#62;


	Sans titre (Kyoto), 2025

Journal d’une récolte kyotoïte : une pierre, une branche et deux graines sur un périodique.




Journal, pierre, branche, graines, fil, 11x29x4 cm.
-

Untitled (Kyoto), 2025Harvest from a Kyoto walk : a stone, a curled branch and two seeds on a newspaper.Newspaper, stone, seeds, branch, thread, 11x19x4 cm. 

photo Robin Bourgeois

	

</description>
		
	</item>
		
		
	<item>
		<title>Bibliographie</title>
				
		<link>https://noemiepilo.fr/Bibliographie</link>

		<pubDate>Mon, 11 Sep 2023 14:25:03 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

		<guid isPermaLink="true">https://noemiepilo.fr/Bibliographie</guid>

		<description>
&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/bc11576e40d55e6ea29c580808e2e5fac8cf00c103580cdee2bf76b0e1baf1ed/DSCF9988-E-ret.jpg" data-mid="210076540" border="0"  src="https://freight.cargo.site/w/1000/i/bc11576e40d55e6ea29c580808e2e5fac8cf00c103580cdee2bf76b0e1baf1ed/DSCF9988-E-ret.jpg" /&#62;
&#60;img width="3734" height="5601" width_o="3734" height_o="5601" data-src="https://freight.cargo.site/t/original/i/5430f5ad9e8e5bb69f625f834d9be183f22a94049361cca76f80869855086413/IMG_3411low.jpg" data-mid="234792024" border="0"  src="https://freight.cargo.site/w/1000/i/5430f5ad9e8e5bb69f625f834d9be183f22a94049361cca76f80869855086413/IMG_3411low.jpg" /&#62;
&#60;img width="785" height="1148" width_o="785" height_o="1148" data-src="https://freight.cargo.site/t/original/i/b5663857121f3dbcc1c33e8a7b649b77f5399b41534da5f1dc43a0a50a90b020/IMG_E4586ret.jpg" data-mid="190389912" border="0"  src="https://freight.cargo.site/w/785/i/b5663857121f3dbcc1c33e8a7b649b77f5399b41534da5f1dc43a0a50a90b020/IMG_E4586ret.jpg" /&#62;


	Bibliographie, 2021

Les pages de trois livres de poche dénués de couverture sont entremêlées.

					Ma sélection pour une bibilothèque
minimum en 2021 : L’intuition de l’instant de Gaston Bachelard, Art poétique de Paul
Claudel, La vie sensible d’Emanuele
Coccia.

				
			
		
	

Livre de poche, 15x15x21 cm.
-

Bibliography, 2021











Pages of three books without covers are interwined. Proposition for a minimum and nomadic library :&#38;nbsp;Intuition of the instant of Gaston Bachelard, Poetic Art of Paul Claudel and Sensible Life of Emmanuele Coccia.Books, 15x15x21 cm.
	

</description>
		
	</item>
		
		
	<item>
		<title>Beehive</title>
				
		<link>https://noemiepilo.fr/Beehive</link>

		<pubDate>Fri, 20 Jun 2025 12:36:41 +0000</pubDate>

		<dc:creator>Noémie Pilo</dc:creator>

		<guid isPermaLink="true">https://noemiepilo.fr/Beehive</guid>

		<description>
&#60;img width="3765" height="5648" width_o="3765" height_o="5648" data-src="https://freight.cargo.site/t/original/i/abf3d697f85c0b2351689194417d20497cb7adeaf988d393e48cdc5341699be8/IMG_3400.2.jpg" data-mid="249452976" border="0"  src="https://freight.cargo.site/w/1000/i/abf3d697f85c0b2351689194417d20497cb7adeaf988d393e48cdc5341699be8/IMG_3400.2.jpg" /&#62;
&#60;img width="3578" height="5367" width_o="3578" height_o="5367" data-src="https://freight.cargo.site/t/original/i/55f814a52ab69961de4c35706d0f13d66fea0e657ac49ba81f2ea46281cd4c33/IMG_3493low.jpg" data-mid="234792423" border="0"  src="https://freight.cargo.site/w/1000/i/55f814a52ab69961de4c35706d0f13d66fea0e657ac49ba81f2ea46281cd4c33/IMG_3493low.jpg" /&#62;


	Beehive, 2024

Un cadre de ruche artificiel en cire d’abeille, servant à accélerer le travail des insectes pour la prodution du miel, est utilisé comme matrice pour la réalisation d’une sculpture en bronze. Le bronze est réalisé selon la technique de cire perdue. Le cadre de cire est confié tel un ready-made à la fonderie. Les aléas du tirage opèrent une transition inhabituelle, transformant la matrice industrielle en une forme imparfaite qui semble “naturelle”.&#38;nbsp;

				
			
		
	

 











Bronze, 21x18x3cm
 
-

Beehive, 2024An artificial beehive frame made of beewax, used to accelerate the bees' work in honey production, is used as a mold for a bronze sculpture. The bronze is made using the lost wax technique. The wax frame is sent to the foundry as a ready-made. The hazards of the casting process create an unusual transition, transforming the industrial mold into an imperfect form that appears “natural.”
Bronze, 21x18x3 cm &#38;nbsp;

photo Robin Bourgeois

	

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